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d16 Group SilverLine Collection the most powerful modulation effect the D16 group has ever created, is your new plug-in for chorus, phasing, filtering, rotary speaker emulation, and more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual modulation multiple filters.

D16 Group Silverline Collection audio software is the creative software developer behind some of the best music plugins you can find. Among its many high-quality offerings are Phoscyon, Antresol, Nepheton, Devastator 2, Lunchbox, and LuSH-101. They have many more, but for this issue of SoundBytes Magazine, we’ll take a look at the latest versions of some of their effect plugins: Toraverb 2, Decimort 2, Devastor 2, and Tekturon. These are half (currently) of a collection called Silverline. Six from the Silverline collection have been around for quite some time, starting life only as 32-bit. In recent years, two new plugins have been added to the collection, and the older effects are being improved one by one, including fairly small user interfaces, resizing. For each of these products, I’ll quickly cover the system requirements (as they are not all the same) and take a look at many of their controls and features.

Toraverb 2:

Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz multi-core CPU with SSE (2.8 GHz multi-core recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, 2.5 GHz CPU (2.8 GHz recommended), 4+ GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Installing Toraverb 2 was simple and you can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

After you’ve added it to a track or bus in your DAW, you will be presented with the screen. One great thing about the screen (besides how nice it looks) is that there are two different sizes. At the top of the screen and buttons are menus for various functions. Some of the items available in the Options menu are rendering quality settings and display size options. On the right is the current preset screen, and clicking on it will open the browser where you can choose from the many other presets found on board. You can also browse the presets using the Previous / Next buttons. Other features include the ability to Initialize Settings (INIT – start a preset from basic settings), Reload a preset (i.e., you might not like how your edits have gone wrong), and Save a preset.

Many of the controls that change the “innards” of the sound are located on the left side of the screen. One of the best parts of Toraverb 2 is that it has a lot of controls separated by early or late reflections. Once you have selected the Early or Late tabs, you can change many of the parameters.

The available controls found here are Pre-Delay (up to 500ms), Size, Bass Cut, Crosstalk between the left / right channel delay lines (Early reflections tab only), Feedback (Late Reflections tab only), Attenuation – similar to a tone control in that you can adjust the sound of the reflecting surface, and Diffusion: changes the way that reflected sound is affected by the surface from which it is reflected. Last but not least in this section is the modulation control. This will dial in an amount of modulation for the highlights, and it appears to cause the pitch to fluctuate slightly semi-randomly.

To the right of that section are controls for adjusting a single band parametric EQ. There are actually two of these, one for early and late reflections. There are three types of filtering available: high shelf, low shelf, and hood. Gain, frequency, and bandwidth controls are also present. Next is the mixer section. From here you can pan the early/late signals and increase/decrease the gain for each as well. When you enable the MS mode button, then pan left / right controls will function as middle/side controls.

The last area of ​​the screen is the Master section. This is where you can change the amount of wet/dry (this can be locked to switch between presets) and the effect curve that adjusts the crossfade from dry to wet signal. The last two controls are for Ducking (use compression to adjust the wet level in proportion to the dry mix level) and Attack / Release, which adjusts the attack/release times of the Ducking effect. When Toraverb 2 was released, it had an introductory price of $ 49, then went down to its normal price of $ 69. There is also an upgrade path for those who bought the original version. I think this is very affordable, especially when you consider that some of the other high quality reverbs on the market with similar characteristics can cost you a lot more. Toraverb 2 is truly a treat and will easily win you over with its intuitive interface, great sound, and programmability.

Decimort 2:

Decimort 2 is the latest incarnation of the D16 Group’s high-quality stereo lo-fi effect. It features ADC (analog / digital conversion) emulation and lets you reduce both the bit depth and sample rate of your audio. Depending on your settings, it can give you a distorted and sometimes vintage quality. However, it is not your everyday bit shredder, as you will soon see. Like Toraverb 2, the screen now has a choice of two screen sizes. I opted for the larger one since I now have a higher resolution monitor. The smaller size would definitely work well with smaller monitors and laptops.

Decimort 2 will work with Windows 7 or higher, more than 4 GB of RAM, and a 2.0 GHz CPU with SSE (a 2.1 multi-core CPU is recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, you will need a 1.8 GHz Intel-based CPU (2.4 GHz recommended), 4+ GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Installation was simple and you activate it online by logging into your D16 account or downloading an activation file to activate it offline.

The browser and main buttons at the top are all the same as those on Toraverb 2, including a screen showing the loaded preset, an INIT button, saving a preset, etc. At the top left is a preamp knob that you can use to boost the signal feed into Decimort 2. Below is the Quantizer section. Allows you to reduce the bits of the signal amplitude. The Dithering control can add a low level of white noise to the signal before quantizing and help smooth out distortions. In fact, I liked using it on a bass synth sound with hardly any of the half-bit white noise added to the startup settings. I set it really low, maybe about 1/4 of the way up, and also changed the Resolution setting to a level of 2. Nice and crisp! But of course, it is up to you and what you want to do on your own tracks.

Devastor 2:

Devastor 2 is a multi-band distortion plug-in that uses diode-clipper emulation and analog-modeled filters. Filtering can occur before or after the diode cutter. These filters have cutoff and resonance controls with classic types: low pass, high pass, bandpass, and band rejection. An improved browser and larger GUI is also available.

For the PC, you will need Windows 7 (or higher), 1.5 GHz CPU with SSE (2.0+ GHz multi-core recommended), 4+ GB of RAM. VST and AAX versions are available (32-bit and 64-bit). For Mac, you will need OS X 10.7 (or higher), an Intel-based 1.5 GHz CPU (2.0 GHz recommended), and more than 4 GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Like the others in this article, Devastor 2 is easy to install. You can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

Once you’ve installed and activated it, you can upload it to a track on your preferred host. At the top are controls for loading / saving presets and a few other options. On the left side is the Shaper section with controls for dynamics, preamp, threshold, and shape. This is where diode clipping takes place. The Dynamics control will even out any difference in amplitude and works like a compressor. The preamplifier is the signal amplifier for the diode cutter. Threshold sets the nominal amplitude level, and anything above that value is where distortion occurs. Shape will deform the clipping curve you have selected, and there are six types of curves available to choose from. These types of curves are covered in more detail in the manual for additional information on them. The +/- LEDs give you feedback when the signal exceeds the threshold setting.

There are three identical filters in the filtering section. Each of them has cutoff, resonance / bandwidth, filter type, and volume settings. The resonance control will change to a bandwidth type when using the band pass and band rejection filter types. These can be configured in nine different configurations using the signal routing feature. Here are just three such setups you can use: 1) All three filter modules run in parallel and feed into the cutter. 2) Filters one and two in parallel feed into the trimmer, and then the signal moves from there to the third filter. 3) One of the filters is fed to the trimmer and the output of the trimmer goes to the other two filters. See the screenshot above for all the routing possibilities. Anyway, you get the idea: there are many combinations to choose from to shape / distort your audio. On the right side of the screen, there is a limiter that you can enable and a dry / wet effects control. Devastor 2 is an effective and useful plug-in that lets you get a warm sound from your clipper diode emulation. The signal routing is easy to use and works great.

Tekturon:

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Tekturon is a delay plugin with a large sonic vocabulary. The main reason I say that is that it uses multiple lines (sixteen of them) to process your audio. Each of those delay lines has its own set of effects. These effects can be manipulated as desired and include volume, delay, feedback, pan, stereo spread, filter type, cutoff, and resonance. This sounds like it can be fun to use, right? Well the good news is that the answer is “yes”, but it is also intuitive and powerful, as you will soon discover.

For the PC, you will need Windows 7 or higher, more than 4 GB of RAM and a 2.8 GHz CPU with SSE (3.2 GHz with multicore recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, Intel-based 2.8 GHz CPU (3.2 GHz CPU recommended), 4 + GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). After a simple installation, you can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

SilverLine 2020.2 collections of the d16 group:

  • Antresol v1.1.4 – analog BBD stereo flanger
  • Decimort v2.1.6 – high quality bit shredder
  • Devastor v2.1.6 – multi-band distortion unit
  • Fazortan v2.0.0 – controllable spatial phaser
  • Frontier v1.0.0 – free self-adaptive versatile limiter
  • Godfazer v1.0.1 – advanced modulation unit
  • Redoptor v2.0.1 – vintage tube distortion
  • Repeater v1.1.5 – epoch modeling delay
  • Sigmund v1.1.2 – high quality flexible delay unit
  • Syntorus v2.0.0 – triple path analog chorus
  • Tekturon v1.0.8 – multi-tap sequenced delay
  • Toraverb v2.0.2 – reverb with spatial modulation

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Conclusion:

There are a couple of other useful features in these D16 effect plugins. One of them is easy-to-use MIDI learning, which is a simple right click on the control you want. Also, the render quality settings (as I mentioned above) have separate realtime and offline settings to choose from: Draft, Normal, High, and Ultra. All the add-ons I reviewed here are well conceived and reasonably priced. Most importantly, they all have excellent sound quality. Most DAWs have some “regular” effects included, but these are well above the norm and are well worth a try. I previously bought their Antresol flanger (which I love by the way) but didn’t have time to cover it in this review. I mentioned the separate prices for each product, but they also have a Silverline Collection package from our site.

Software Information:

  • Silverline Collection (Complete Bundle)
  • Included: Antresol, Decimort, Devastor, Fazortan, Frontier, Godfazer, Redoptor, Repeater, Sigmund, Syntorus, Tekturon, Toraverb
  • d16 Group
  • 2020.2
  • 64-bit (VST2, VST3 and AAX)
  • Windows 8 and 10
  • Instructions: Just run the installer.

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D16 Group Silverline Collection Audio Software is the creative software developer behind some of the best music plugins you can find. Among their many high-quality offerings are Phoscyon, Antresol, Nepheton, Devastator 2, Lunchbox, and LuSH-101. They have many more, but for this issue of SoundBytes Magazine we’ll take a look at the latest versions of some of their effect plugins: Toraverb 2, Decimort 2, Devastor 2 and Tekturon. These are half (currently) of a collection named Silverline. Six of the Silverline collection have been around quite a long time, starting life as 32-bit only. In recent years, two new plug-ins have been added to the collection, and the older effects are one-by-one getting enhanced including a welcome resizing of the rather small user interfaces.

d16 Group Silverline Collection Crack Godfazer is the most powerful modulation effect ever produced by the D16 group. This is your new plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Godfazer was developed with a creative sound design at the top of the list and transformed with its versatile assembly module and two spatial and spectral double-modulation multi-filter signals of all kinds.

d16 Group Silverline Collection Crack (Win) Crack It is (currently) half of a collection called Silverline. Six of the Silverline collections have been around for a while and only start with 32 bits. Two new plug-ins have been added to the collection in recent years, and older effects are individually improved, including a welcome resizing of the rather small user interfaces.

Toraverb 2:

Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz multicore CPU with SSE (2.8 GHz multicore is recommended). It has VST and AAX versions available (32-bit and 64-bit). On the Mac, you’ll need OS X 10.7 or higher, 2.5 GHz CPU (2.8 GHz is recommended), 4+GB of RAM. AU, VST and AAX versions are available (32-bit and 64-bit). Installing Toraverb 2 was simple, and you can activate it online by logging into your D16 account or by downloading an activation file to activate it offline.

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After you’ve added it to a track or a bus in your DAW, you’ll be presented with the display. One great thing about the display (besides how nice it looks) is that there are two different sizes. Along the top of the display and buttons are menus for various functions. A couple of the items available under the Options menu are processing quality settings and display size choices. To the right is the display for the current preset, and clicking on that will open the browser in which you can choose from the many other presets that are on board. You can also skim through the presets by using the Previous/Next buttons. Other functions include the ability to Initialize the settings (INIT – start a preset from basic settings), Reload a preset (i.e. – maybe you don’t like how your edits have gone amiss), and Save a preset.

Many of the controls that change the “guts” of the sound are over on the left side of the display. One of the best parts of Toraverb 2 is that it has many controls separated by the early or late reflections. Once you’ve selected either the Early or Late tabs, you can change many of the parameters.

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The available controls located here are Pre-Delay (up to 500ms), Size, Bass Cut, Crosstalk between the left/right channel delay lines (only on the Early reflections tab), Feedback (Late reflections tab only), Attenuation – similar to a tone control since it can adjust the sound of the reflective surface, and Diffusion – changes the way the reflected sound is affected by the surface from which it is reflected. Last but not least in this section is the Modulation control. This will dial in an amount of modulation for the reflections, and it sounds like it causes the pitch to slightly waver in a semi-random fashion.

To the right of that section control to adjust a single-band parametric EQ. There are two of these actually, one each for the early and late reflections. Three types of filtering are available: high shelf, low shelf, and bell. Gain, frequency, and bandwidth controls are also present. Up next is the mixer section. From here you can change the panning for the early/late signals, and increase/decrease the gain for each as well. When you enable the MS Mode button, the left/right panning controls will then function as mid/side controls.

The last area on the display is the Master section. This is where you can change the dry/wet amount (this can be locked for switching between presets) and the FX Curve which adjusts the crossfade from the dry to the wet signal. The last two controls are for Ducking (uses compression to adjust the wet level in proportion with the dry mix level) and Attack/Release which adjusts the attack/release times of the Ducking effect.

D16 Group SilverLine Collection 2020:

  1. Entresol v1.1.4 – analog BBD stereo flanger
  2. Decimort v2.1.6 – high-quality bit crusher
  3. Devastator v2.1.6 – multiband distortion unit
  4. Florian v2.0.0 – controllable space phaser
  5. Frontier v1.0.0 – free self-adaptive versatile limiter
  6. Godfather v1.0.1 – advanced modulation unit
  7. Redoptor v2.0.1 – vintage tube distortion
  8. Repeater v1.1.5 – vintage modeled delay
  9. Sigmund v1.1.2 – high-quality flexible delay unit
  10. Santorum v2.0.0 – triple path analog chorus
  11. Tekturon v1.0.8 – multitap sequenced delay
  12. Toraverb v2.0.2 – space modulated rever

d16 Group Silverline Collection (Win) Crack Features:

  • After adding it to a track or bus in your DAW, the display will appear. One great thing about the display (aside from its beauty) is that there are two different sizes. The menus for the various functions are located at the top of the screen and the buttons. Some of the items available in the Options menu deal with quality settings and selection of the display size.
  • The display of the current preset is on the right. When you click on it, the browser opens, where you can choose from the many other presets that are on board. You can also scroll through the presets using the Previous / Next buttons. Other features include the ability to initialize settings (INIT – start a preset from the basic settings), reload a preset (that is – you may not like the failure of your changes), and save a preset.
  • Many controls that change the “courage” of the sound are on the left side of the screen. One of the best parts of Toraverb 2 is that it has many controls separated by early or late reflections. After selecting the Early or Late tabs, you can change many parameters.

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  • The commands available here are the pre-delay (up to 500 ms), the size, the bass cut, the crosstalk between the delay lines of the left / right channel (only on the First reflections tab), the feedback ( only the late reflections tab), damping – similar to tone control, as they can adjust the sound of the reflective surface and scattering – changes the way reflected sound is affected by the surface from which he is thoughtful. Last but not least of this section is modulation control. This defines a certain modulation of the reflections and it seems that the height fluctuates slightly by chance.
  • To the right of this section are the controls for setting a single-band parametric equalizer. There are actually two of them, one for early and late reflections. There are three types of filtering: high shelf, low shelf, and bell. Gain, frequency, and bandwidth controls are also available. Next is the mixer section. From there you can change the pan for early/late signals and also increase/decrease the gain for each signal. When you activate the MS mode button, the left / right pan controls then act as center/side controls.
  • The last area of ​​the screen is the main area. Here you can change the amount of dry/wet (this can be locked to switch between presets) and the FX curve, with which the transition from dry to wet signal is adjusted. The last two commands are for ducking (uses compression to adjust the level of wetting proportional to the level of the dry mix) and attack/release, which adjusts the attack/release times of the ducking effect.
  • When Toraverb 2 was released, it had an introductory price of $ 49 and then returned to its regular price of $ 69 but you can get here free. There is also an upgrade path for those who purchased the original version. I think it’s very affordable, especially since some of the other high quality reverbs on the market with similar functionality can cost you a lot more.

Specifications:

Supported formats: VST2 / AU / AAXnative
System requirements: Windows 7 (32/64-bit) and later, Mac OSX 10.7 and later, 2.8 GHz CPU, 4 GB RAM, Internet connection

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How To install:

  • First of all, download this tool from our given.
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Software Information:

  • Silverline Collection (Complete Bundle)
  • Included: Antresol, Decimort, Devastator, Fazortan, Frontier, Godfazer, Redoptor, Repeater, Sigmund, Syntorus, Tekturon, Toraverb
  • d16 Group
  • 2020.2
  • 64-bit (VST2, VST3, and AAX)
  • Windows 8 and 10
  • Instructions: Just run the installer.

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