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At a time when Nas recorded his album in the west (Wyoming and reportedly, Utah), it is a symbolic homecoming for the MC who began his career with four albums (Illmatic, It Was Written, I Am, and Nastradamus) featuring the notorious housing towers on the covers. Competitive Strategy by Michael Porter Audiobook-Download. Innovator's Dilemma by Clayton Christensen Audiobook - Download.

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Nas’ debut album. Release date: April 19, 1994. Nas 'Illmatic' (1994) 1996. Nas – Illmatic Album Albums. By HH October 13, 2012 2:35 pm 0. Check out this debut album from Nas titled Illmatic. Released on April 19, 1994 by Columbia Records.

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Often cited as one of the best hip-hop albums of the '90s, Illmatic is the undisputed classic upon which Nas' reputation rests. It helped spearhead the artistic renaissance of New York hip-hop in the post-Chronic era, leading a return to street aesthetics.

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Listen free to Nas – Illmatic (The Genesis, N.Y. State of Mind and more). 10 tracks (39:41). Illmatic is the debut studio album by American rapper Nas, released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992–1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City.

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Nas’ debut single Halftime was released in 1992, and his lyrics and rhymes attracted attention in the hip-hop community. Nas was even entitled new Rakim. The rapper’s debut album Illmatic was released in 1994 and it is considered to be one of the best hip-hop albums ever.

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10 Songs, 39 Minutes

EDITORS’ NOTES

Nas lied to us. Four tracks into his debut album, he told listeners, “The world is yours,” but he was wrong. And if he didn’t know it going into the release of Illmatic, he knew almost immediately after. As the critical rap universe would assure him, the world belonged to Nas himself—a New York rap prodigy hailing from the talent-rich Queensbridge housing projects whose 10-track debut realized the promise he’d shown as a guest MC on Main Source’s “Live at the Barbeque.” And while the album was immediately recognized as a gem by those in the know, its impact on hip-hop at large would only fully be appreciated in the years following.
Illmatic is only nine actual songs (not counting opener “The Genesis'), and while it was reportedly released in haste to combat the rampant bootlegging of an early version, it’s no less heavy a listen. Its first single, “Halftime,” appears on the soundtrack of the 1992 film Zebrahead and, coupled with his “Live at the Barbeque” verse, positioned Nas as hip-hop's next great MC, well before an album was ready. With Illmatic, Nas' poetic aptitude reveals itself, the MC introducing turns of phrase and perspective previously unheard within the art form. “My mic check is life or death, breathing a sniper's breath/I exhale the yellow smoke of buddha through righteous steps/Deep like The Shining, sparkle like a diamond/Sneak a Uzi on the island in my army jacket lining,” he spits on “It Ain’t Hard to Tell.”
Illmatic’s sample-heavy sound comes courtesy of a veritable dream team of production talent (DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S.), a lineup that helped to break a long-standing tradition of single-producer hip-hop albums. Together they present a unified vision of the murky, guttural, jazz-heavy hip-hop that would come to define the '90s New York sound. Aside from L.E.S., the group were all established in their lanes, but they'd elevate their practices for Nas, an MC of his caliber making it that much easier for everyone to shine. Over menacing piano lines (“N.Y. State of Mind”) and horn stabs (“It Ain't Hard to Tell”), Nas is able to transition seamlessly and continuously between freewheeling non sequiturs and vivid storytelling (a verse from “One Love” would inspire a scene in video director Hype Williams' feature film Belly).
The only person who gets a guest verse on the effort is AZ (“Life’s a Bitch”), and the Brooklyn MC makes the absolute most of the opportunity, effectively writing himself into history by “visualizin' the realism of life in actuality.” Did AZ know then what Illmatic would go on to mean for Nas and for hip-hop in general? Was he aware of the album’s potency and its likelihood to launch the man they called Nasty Nas toward superstardom while also setting a course for him to become an all-time great? Or was AZ simply chasing his own moment, another victim of Nas' unintentional goading, believing his friend when he told him, “The world is yours.”

EDITORS’ NOTES

Nas lied to us. Four tracks into his debut album, he told listeners, “The world is yours,” but he was wrong. And if he didn’t know it going into the release of Illmatic, he knew almost immediately after. As the critical rap universe would assure him, the world belonged to Nas himself—a New York rap prodigy hailing from the talent-rich Queensbridge housing projects whose 10-track debut realized the promise he’d shown as a guest MC on Main Source’s “Live at the Barbeque.” And while the album was immediately recognized as a gem by those in the know, its impact on hip-hop at large would only fully be appreciated in the years following.
Illmatic is only nine actual songs (not counting opener “The Genesis'), and while it was reportedly released in haste to combat the rampant bootlegging of an early version, it’s no less heavy a listen. Its first single, “Halftime,” appears on the soundtrack of the 1992 film Zebrahead and, coupled with his “Live at the Barbeque” verse, positioned Nas as hip-hop's next great MC, well before an album was ready. With Illmatic, Nas' poetic aptitude reveals itself, the MC introducing turns of phrase and perspective previously unheard within the art form. “My mic check is life or death, breathing a sniper's breath/I exhale the yellow smoke of buddha through righteous steps/Deep like The Shining, sparkle like a diamond/Sneak a Uzi on the island in my army jacket lining,” he spits on “It Ain’t Hard to Tell.”
Illmatic’s sample-heavy sound comes courtesy of a veritable dream team of production talent (DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S.), a lineup that helped to break a long-standing tradition of single-producer hip-hop albums. Together they present a unified vision of the murky, guttural, jazz-heavy hip-hop that would come to define the '90s New York sound. Aside from L.E.S., the group were all established in their lanes, but they'd elevate their practices for Nas, an MC of his caliber making it that much easier for everyone to shine. Over menacing piano lines (“N.Y. State of Mind”) and horn stabs (“It Ain't Hard to Tell”), Nas is able to transition seamlessly and continuously between freewheeling non sequiturs and vivid storytelling (a verse from “One Love” would inspire a scene in video director Hype Williams' feature film Belly).
The only person who gets a guest verse on the effort is AZ (“Life’s a Bitch”), and the Brooklyn MC makes the absolute most of the opportunity, effectively writing himself into history by “visualizin' the realism of life in actuality.” Did AZ know then what Illmatic would go on to mean for Nas and for hip-hop in general? Was he aware of the album’s potency and its likelihood to launch the man they called Nasty Nas toward superstardom while also setting a course for him to become an all-time great? Or was AZ simply chasing his own moment, another victim of Nas' unintentional goading, believing his friend when he told him, “The world is yours.”

• 10 Songs, 39 Minutes
• Released: Apr 19, 1994
• ℗ 1994 Columbia Records, a division of Sony Music Entertainment

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